Rae Senarighi is a painter, designer, and muralist based in Portland, Oregon. The front cover of the Summer 2018 issue of The Public Eye features a piece from “The Love Series.”
Fifty years ago today, the Catonsville Nine burned draft files at the local draft board in Catonsville, Maryland. Two Catholic priests, Jesuit Daniel Berrigan and Josephite Philip Berrigan, along with…
With James Cone’s death, comes the death of Black theology. This statement is hyperbolic in that a variety of theologians—some trained by Cone and others not—will continue to write theological texts…
While the socio-political, economic, and cultural climate motivating the work has shifted—the fundamental and death-dealing disregard for black life has remained unaltered.
The Sisters are an order of self-named queer nuns who parody Roman Catholicism, and at the same time make an earnest and very serious claim to be nuns—just not Roman Catholic ones.
As a Filipino-American printmaker, illustrator, comic artist, and educator, Karl Orozco’s work often grapples with the legacy of colonialism, seeking to “challenge assumed notions of race, family, migration and power.”
Our fall cover artist, Jennifer Luxton, describes herself as a “journalist by training, designer by profession, illustrator by passion, and amateur taxidermist by moonlight.”
The cover artist for the summer issue of The Public Eye, Ashley Lukashevsky, was born and raised in Honolulu, Hawaii, where she was involved with activism from a young age.
This spring’s Public Eye cover artist, Erik Ruin, is a Philadelphia-based printmaker, shadow puppeteer, and paper-cut artist whose work has been called “spell-binding” by The New York Times.
